Showing posts with label Ithaca. Show all posts
Showing posts with label Ithaca. Show all posts

Friday, July 25, 2014

We're just going to cover everything in glitter.

As I wrote in my previous post, I have just completed a summer class in illustration through the SMFA. It is the seventh of eight classes I need to complete my Illustration Certificate! One more to go! I wanted to share the work I did for this course. When I took Introduction to Illustration we had a new assignment every week, each one based on an actual job that a working illustrator might get. The Intermediate Illustration course I took this summer was structured in a similar way but spending more time on fewer projects. We critiqued our work every class and were expected to make edits and present considered and finished work. It was challenging and also similar to how a real illustration job would go. 

We kicked off the class with a New Yorker cover-- a magazine with a long history of illustrated cover artwork. If you get your work on a New Yorker cover, you're kind of a big deal. Often the covers are clever comments on current events, but not always! Sometimes they are just nods to New York City as a place and a culture, or nods to something seasonal. I'm not particularly well versed in politics so I decided that my cover would be a love letter to Summer in Upstate, New York. I painted Enfield Falls near Ithaca. This is a real place where you should definitely go swimming if you are ever in the area. I had fun with the green and red color palette.


The following assignment was an illustration for a short story, such as you might find in Harper's Bazaar. When you illustrate stories for children's books, you usually want to show the characters in fully realized detail, but when you illustrate for adult audiences, they usually want something less detailed that allows the reader to imagine details for themselves. Generally characters' images are only suggested or fragmented in stories for adults. 

We read a story called "Old Mrs. J" by Yoko Ogawa, which is a rather eerie story about the landlady of an apartment building whose garden starts mysteriously to produce hand-shaped carrots. I don't want to spoil the ending, but there are other strange, unsettling things that go on and a very creepy twist. I did a couple sketches of hand carrots for class.

My class's feedback was basically that I needed to make it creepier. "So creepy that you scare yourself" was the exact advice. We explored ink as a medium and I decided it would be ideal for this assignment.


I felt that my piece could be creepier still, so I looked at images from that old book, "Scary Stories to Tell in the Dark" whose illustrations (by Stephen Gammell) are done in ink and absolutely terrifying. They are too scary for my blog, so you should google them. But do it during the day, when it's light out, maybe with a friend so you're not alone. 

Much creepier this time around!


Our next assignment was a celebrity portrait. Illustrations like this are often used for published interviews with anyone from politicians to pop stars. My instructor, when giving us this assignment, recommended that we use sparkles. I couldn't entirely tell to what degree he was kidding but he said something along the lines of, "It's not a mandate-- I'm not saying use glittler......... but use glitter." So I knew I needed to do a portrait of someone who would make sense covered in glitter. 

Ke$ha seemed to me to be the obvious choice.


So here she is in all her sparkly glory, in a gold bathtub, drinking a beer with a wolf in sparkly sunglasses. I feel like that is something she would do, right? Plus, wolves feature prominently in the video for her song "Die Young." 


As an in-class exercise we looked at hand lettered fonts and text and logos and album covers that include interesting hand lettering. Typography is something I used to find incredibly boring, but lately I've been really into it! We did some experimenting with text. I was drinking lemon iced tea so I wrote "lemon."

Then I wrote, "Lime" in Spanish to go with it. For being an in class exercise, I'm rather pleased with them.


We put all of our text practice to good use for our final assignment, which was product labels. I have a secret love of hot sauce labels-- they usually involve quite frankly really cool art with skulls and fire and death, devils, scantily clad cartoon chili peppers... I believe hot sauce is the grocery store product with the most interesting variety of labels. I may start a collection of interesting hot sauce labels. I will look like a weirdo taking photos in the grocery store but I don't even care!

I designed a blues dancing inspired hot sauce logo using stills from youtube videos. Some dancer friends and I agreed that a blues dancing hot sauce would have to be flavored with aged peppers, molasses, and a splash of Kentucky bourbon.


My class liked the concept but gave me some ideas for editing the background colors and the text. I agreed with what they had to say and did some alternate text sketches, this time using smoke as an inspiration for the lettering.


... And then put it all together with a new and improved background! I am very pleased with the results! Now if anyone ever follows that recipe and invents this hot sauce, I have your logo!


Friday, January 17, 2014

Marker Portraits

I am still refining my marker portrait skills-- one thing I love about markers is the challenge of being unable to erase. If I make a mistake (and trust me, there is no art making without mistakes) then I just have to find a way to incorporate the mistake into the piece, kind of like improvising when you're playing an instrument. 

My goal for marker portraits as I continue making them is to draw people with their eyes open for once.  I notice I tend to draw people while they are doing things so they are either looking down or away. To draw open eyes, I would need someone to really sit for me and not be doing anything else but looking at me. It is hard to get people to do this. 

Here is my friend Aaron, rocking a bowtie!


And here is my neighbor Hannah, 
though this sketch doesn't actually look very much like her. 
I want to try again.


This is my sister wrapping christmas presents!


These are little cartoons of me and my sister, though I didn't capture her quite right.
This is another one I'd like to try again.


I also did drawings of some cool antiques I saw around my house in Ithaca.
I call this one Shur Shot Plus One Extra Line


And here is a record player with a fancy leaf-shaped vintage lamp on its head:


I'll be doing more marker drawings as I visit Tucson this weekend! 
STAY TUNED!

Wednesday, June 15, 2011

Cropping, Composition, and the Farmer's Market

Since I have been out of town, this post is rather belated, but last Wednesday marked the last of my watercolor classes with CSMA. We rendezvoused at the Ithaca Farmer's Market for some on site painting. I spent the first half hour or so playing with sidewalk chalk provided by one of the booths, but when I was done with that, I painted this:


There are parts of this painting I am diggin' but other parts look like maybe just a study. Those kids wouldn't stand still long enough for me to really perfect them. I think they realized I was painting them because they started to make rude gestures at me. 

My watercolor teacher pointed out that perhaps compositionally, this painting could be improved if it were a different size or shape. Then she worked her artistic genius and suggested these two cropped versions:


 I think that if this one big painting were instead two smaller paintings, it would give them both a clearer focus and a simplicity that the big one lacks. Cool!! Before I whip out the scissors though, I will let it sit and think about what I want to do with it.

I consider that first painting sort of a practice. As I was painting it I kept thinking, "Oh, if I have done this differently, I think it would be more what I was going for. If only I could have another shot at this painting." And then I realized that of course I could have another shot and that painting and so I painted another one from the same vantage point (without the boys... they were gone by then):


I think that one of the most useful things I got out of that lesson was that rough drafts are awesome and helpful and not tedious. I think that if I was to paint this scene another time or two, I would come up with a totally even more brilliant landscape! I am gonna take that idea with me and use it again in the future. 

Art advice for the day: If you don't like how a painting turned out, paint it again!

Monday, June 6, 2011

Sketchin' at the Ithaca Festival

This weekend was Ithaca Festival weekend here in Ithaca, NY-- where hippies and people who are curious about hippies and even some other people come from miles around to experience a wide variety of live music, dancing, food, crafts, and other stuff. There is also a parade with a multitude of dogs, people in costumes, people with instruments, people with chain saws, and volvos in tutus driving and walking in harmony. It is totally a blast!! If you didn't go, make sure you do next year.

I saw some rockin' live music this year (as I do every year), but when I wasn't dancing my pants off, I was doing some gesture drawings in my sketchbook. "What are gesture drawings?" the non artists who are reading ask themselves. Well, they are quick sketches where the object is to capture a gesture, or the general shape, or movement of the subject. They aren't meant to be polished or finished, but to be fast studies. I love doing gesture drawings and I think they have a lot of character.

So, these are my sketches from the Ithaca Festival:

Djug Django is a fabulous vintage/gypsy swing group. They were wonderful to listen to and apparently play live at Delilah's every Wednesday evening. How cool is that? 
Below is my friend Liz dancing to Djug Django.


Above is Nate the great entertaining the crowd with his incredible juggling skills and witty jokes.
...And the next sketch is a few of the members from Kevin Kinsella's band. 


Kevin Kinsella himself is such an energetic performer that I was having trouble finding a good moment to draw him. The second I started drawing him in one pose, he was on the other side of the stage! This makes for an awesome performance but a difficult subject for a drawing. His four(ish) your old son, who was wandering around, handing out business cards in a bowler hat and sunglasses came up to me and said, "Are you gonna draw my dad already?" After that, I tried a little harder to capture Kevin Kinsella and here's what I got:

Kevin Kinsella's son is one of the most rad little kids I've ever seen, by the way.

To close this post out, here are a couple more gesture drawings of people dancing in the crowd!




Oh and one more fun fact about the Ithaca Festival this year: this awesome hippie guy told me he could, "sense the spirit of gaia" in me (Gaia being the earth mother goddess in Greek Mythology... and a character in Captain Planet voiced by Whoopi Goldberg).

I was like, "COOL!!"

Saturday, June 4, 2011

Painting at Stewart Park

I am too busy dancing my pants off at the Ithaca Festival to write a proper blog post, but here is my latest watercolor. I painted this one on Wednesday when my watercolor class met up at Stewart Park to do some on site painting.


At heart, I am an oil painter and I am noticing myself trying to use watercolors the way you would use oils. Watercolors have different strengths than oil paints so you really can't use them exactly the same way. My goal for next week is to make a watercolor that looks watercolor-y and not an oil paint wannabe. 

As a side note, if I had been born a boy my parents were going to name me Stewart, so I feel a special connection with the park that holds my almost-name.