Showing posts with label Sketches. Show all posts
Showing posts with label Sketches. Show all posts

Thursday, October 23, 2014

Sketches of LEAF

Oh no! My last post was in August. Sorry! I haven't even kept up with my altered calendar because I have been putting so much energy into creating a studio space and moving into a new house. Life does that sometimes, but I am here to post the sketches I did on my trip to North Carolina last week-- I went down to Asheville by way of Charlotte, met tons of wonderful dancers, many of whom offered beds and futons and rides and food and great conversations and, naturally, dancing. The main event was a music and arts festival called LEAF, which happens twice a year. It was wonderful-- I think I stepped into a magic fairy land for a little while. There was contra dancing every day, slam poetry, delicious festival food, and I sketched anything I could in spare moments.

The view from our southbound plane window. Air plane en en plein air!


Anyone who has been to LEAF probably will recognize this chair. There are hundreds like it in the main dining hall. To the left of the chair, some sketches done while people-watching. 

I spent a great deal of time on this nightscape, and I don't think this image really conveys the drawing very well but I think you get the idea! This is the view from the merch tent where I was volunteering. 


I got to see Bela Fleck and Abigail Washburn perform at LEAF as well and at one point, Abigail Washburn introduced a song by asking the crowd, "so who else here likes old-timey murder ballads?" The audience responded with wild cheering, of course. It inspired this drawing:

After LEAF, we spent a day exploring Asheville, which it a lovely town full of cute local craft stores and great cafés, like this one where Neil and I ate breakfast (ok, it was probably about 2 PM, so, more like late lunch of breakfast food).

The next day we piled into a car with a bunch of other contra dancers and headed back to the airport. See ya next time, NC!

Friday, July 25, 2014

We're just going to cover everything in glitter.

As I wrote in my previous post, I have just completed a summer class in illustration through the SMFA. It is the seventh of eight classes I need to complete my Illustration Certificate! One more to go! I wanted to share the work I did for this course. When I took Introduction to Illustration we had a new assignment every week, each one based on an actual job that a working illustrator might get. The Intermediate Illustration course I took this summer was structured in a similar way but spending more time on fewer projects. We critiqued our work every class and were expected to make edits and present considered and finished work. It was challenging and also similar to how a real illustration job would go. 

We kicked off the class with a New Yorker cover-- a magazine with a long history of illustrated cover artwork. If you get your work on a New Yorker cover, you're kind of a big deal. Often the covers are clever comments on current events, but not always! Sometimes they are just nods to New York City as a place and a culture, or nods to something seasonal. I'm not particularly well versed in politics so I decided that my cover would be a love letter to Summer in Upstate, New York. I painted Enfield Falls near Ithaca. This is a real place where you should definitely go swimming if you are ever in the area. I had fun with the green and red color palette.


The following assignment was an illustration for a short story, such as you might find in Harper's Bazaar. When you illustrate stories for children's books, you usually want to show the characters in fully realized detail, but when you illustrate for adult audiences, they usually want something less detailed that allows the reader to imagine details for themselves. Generally characters' images are only suggested or fragmented in stories for adults. 

We read a story called "Old Mrs. J" by Yoko Ogawa, which is a rather eerie story about the landlady of an apartment building whose garden starts mysteriously to produce hand-shaped carrots. I don't want to spoil the ending, but there are other strange, unsettling things that go on and a very creepy twist. I did a couple sketches of hand carrots for class.

My class's feedback was basically that I needed to make it creepier. "So creepy that you scare yourself" was the exact advice. We explored ink as a medium and I decided it would be ideal for this assignment.


I felt that my piece could be creepier still, so I looked at images from that old book, "Scary Stories to Tell in the Dark" whose illustrations (by Stephen Gammell) are done in ink and absolutely terrifying. They are too scary for my blog, so you should google them. But do it during the day, when it's light out, maybe with a friend so you're not alone. 

Much creepier this time around!


Our next assignment was a celebrity portrait. Illustrations like this are often used for published interviews with anyone from politicians to pop stars. My instructor, when giving us this assignment, recommended that we use sparkles. I couldn't entirely tell to what degree he was kidding but he said something along the lines of, "It's not a mandate-- I'm not saying use glittler......... but use glitter." So I knew I needed to do a portrait of someone who would make sense covered in glitter. 

Ke$ha seemed to me to be the obvious choice.


So here she is in all her sparkly glory, in a gold bathtub, drinking a beer with a wolf in sparkly sunglasses. I feel like that is something she would do, right? Plus, wolves feature prominently in the video for her song "Die Young." 


As an in-class exercise we looked at hand lettered fonts and text and logos and album covers that include interesting hand lettering. Typography is something I used to find incredibly boring, but lately I've been really into it! We did some experimenting with text. I was drinking lemon iced tea so I wrote "lemon."

Then I wrote, "Lime" in Spanish to go with it. For being an in class exercise, I'm rather pleased with them.


We put all of our text practice to good use for our final assignment, which was product labels. I have a secret love of hot sauce labels-- they usually involve quite frankly really cool art with skulls and fire and death, devils, scantily clad cartoon chili peppers... I believe hot sauce is the grocery store product with the most interesting variety of labels. I may start a collection of interesting hot sauce labels. I will look like a weirdo taking photos in the grocery store but I don't even care!

I designed a blues dancing inspired hot sauce logo using stills from youtube videos. Some dancer friends and I agreed that a blues dancing hot sauce would have to be flavored with aged peppers, molasses, and a splash of Kentucky bourbon.


My class liked the concept but gave me some ideas for editing the background colors and the text. I agreed with what they had to say and did some alternate text sketches, this time using smoke as an inspiration for the lettering.


... And then put it all together with a new and improved background! I am very pleased with the results! Now if anyone ever follows that recipe and invents this hot sauce, I have your logo!


Sunday, February 2, 2014

Tucson Sketches

A couple of weekends ago I visiting my sister Anna in Tucson and I got a little taste of her exciting, busy, circus arts, desert hiking, moped-riding, Mexican food, hula hooping life! These are my sketches from the trip. The first is the outside of a venue where my parents and I watched her perform with her fellow Cirque Roots people!


While I was sitting outside drawing before the show started, lots of people came up to ask me about information for the performance. My customer service/front of house vibes must be very strong.  The tickets were by donation and a few people asked if I was the one taking donations. It was tempting to tell them, why yes, you can give me your money. But in all seriousness, I directed them inside with the professionalism of a Tony Award winning theater's usher (which I am! Cool right?).

Anna got all fancy for her lovely hula-hooping-while-drinking-and-pouring-wine act:


Later in the visit we got to go to a Cirque Roots fire rehearsal. They were fire dancing and hooping and the lighting was so interesting! I made some sketches there too, though it is hard to sketch figures in motion, but I did get some photos in case I ever need a reference. 




Monday, January 13, 2014

Happy 2014!

It is a new year and so it is time for some new art! Or at least, time to start posting art again, since I took a rather long vacation from blogging there. Whoops! OK! New year, new post! I finished up my drawing class having gotten some great practice making master copies and original observational drawings alike. 

I really surprised myself by loving our week on drawing fabric! There are about seven different ways fabric can drape and as long as you know those seven, you can draw convincing fabric that makes sense forever. Looking at the folds in people's clothes became a fun way to pass time on the subway.




Jenny and Aaron rock some folded fabric:



Below are sketches I did of statues at the MFA. I noticed that these statues often have more complex fabric folds than your average subway rider and when I asked my teacher about it he said that the sculptors were showing off. 




We did a week on practicing perspective which, since it involves straight lines, measuring, angles, and being precise, I was not so good at.





We moved onto reflections with tiny mirrors and these super androgynous plaster heads. I really enjoyed reflections, but not as much as I enjoyed fabric. 



As it turns out, antique tools make really good subjects for still life drawings. Below is a master copy and below that is my drawing done from observation.




Drawing glass is fun and challenging because it is so shiny. We practiced by drawing antique bottles on toned paper. I was especially drawn to bottles with text.



One of the bottles below says "alma" which means "soul" in Spanish, and another bottle says "discovery." These were the actual words on the bottles, I did not embellish.

SOUL DISCOVERY.
Isn't that what we're all doing?


My teacher, who I'm certain has an endless stash of interesting objects to draw brought in plastic animals one week. After spending so much time trying to get the human form right, animal forms throw you right back off again! All the rules change and all the proportions are different. 





... And for our final day of class we drew Lord of the Rings figurines. I chose Gimli, who has a beard to be reckoned with. Not to mention several weapons.