Showing posts with label Markers. Show all posts
Showing posts with label Markers. Show all posts

Thursday, October 23, 2014

Sketches of LEAF

Oh no! My last post was in August. Sorry! I haven't even kept up with my altered calendar because I have been putting so much energy into creating a studio space and moving into a new house. Life does that sometimes, but I am here to post the sketches I did on my trip to North Carolina last week-- I went down to Asheville by way of Charlotte, met tons of wonderful dancers, many of whom offered beds and futons and rides and food and great conversations and, naturally, dancing. The main event was a music and arts festival called LEAF, which happens twice a year. It was wonderful-- I think I stepped into a magic fairy land for a little while. There was contra dancing every day, slam poetry, delicious festival food, and I sketched anything I could in spare moments.

The view from our southbound plane window. Air plane en en plein air!


Anyone who has been to LEAF probably will recognize this chair. There are hundreds like it in the main dining hall. To the left of the chair, some sketches done while people-watching. 

I spent a great deal of time on this nightscape, and I don't think this image really conveys the drawing very well but I think you get the idea! This is the view from the merch tent where I was volunteering. 


I got to see Bela Fleck and Abigail Washburn perform at LEAF as well and at one point, Abigail Washburn introduced a song by asking the crowd, "so who else here likes old-timey murder ballads?" The audience responded with wild cheering, of course. It inspired this drawing:

After LEAF, we spent a day exploring Asheville, which it a lovely town full of cute local craft stores and great cafés, like this one where Neil and I ate breakfast (ok, it was probably about 2 PM, so, more like late lunch of breakfast food).

The next day we piled into a car with a bunch of other contra dancers and headed back to the airport. See ya next time, NC!

Friday, July 25, 2014

We're just going to cover everything in glitter.

As I wrote in my previous post, I have just completed a summer class in illustration through the SMFA. It is the seventh of eight classes I need to complete my Illustration Certificate! One more to go! I wanted to share the work I did for this course. When I took Introduction to Illustration we had a new assignment every week, each one based on an actual job that a working illustrator might get. The Intermediate Illustration course I took this summer was structured in a similar way but spending more time on fewer projects. We critiqued our work every class and were expected to make edits and present considered and finished work. It was challenging and also similar to how a real illustration job would go. 

We kicked off the class with a New Yorker cover-- a magazine with a long history of illustrated cover artwork. If you get your work on a New Yorker cover, you're kind of a big deal. Often the covers are clever comments on current events, but not always! Sometimes they are just nods to New York City as a place and a culture, or nods to something seasonal. I'm not particularly well versed in politics so I decided that my cover would be a love letter to Summer in Upstate, New York. I painted Enfield Falls near Ithaca. This is a real place where you should definitely go swimming if you are ever in the area. I had fun with the green and red color palette.


The following assignment was an illustration for a short story, such as you might find in Harper's Bazaar. When you illustrate stories for children's books, you usually want to show the characters in fully realized detail, but when you illustrate for adult audiences, they usually want something less detailed that allows the reader to imagine details for themselves. Generally characters' images are only suggested or fragmented in stories for adults. 

We read a story called "Old Mrs. J" by Yoko Ogawa, which is a rather eerie story about the landlady of an apartment building whose garden starts mysteriously to produce hand-shaped carrots. I don't want to spoil the ending, but there are other strange, unsettling things that go on and a very creepy twist. I did a couple sketches of hand carrots for class.

My class's feedback was basically that I needed to make it creepier. "So creepy that you scare yourself" was the exact advice. We explored ink as a medium and I decided it would be ideal for this assignment.


I felt that my piece could be creepier still, so I looked at images from that old book, "Scary Stories to Tell in the Dark" whose illustrations (by Stephen Gammell) are done in ink and absolutely terrifying. They are too scary for my blog, so you should google them. But do it during the day, when it's light out, maybe with a friend so you're not alone. 

Much creepier this time around!


Our next assignment was a celebrity portrait. Illustrations like this are often used for published interviews with anyone from politicians to pop stars. My instructor, when giving us this assignment, recommended that we use sparkles. I couldn't entirely tell to what degree he was kidding but he said something along the lines of, "It's not a mandate-- I'm not saying use glittler......... but use glitter." So I knew I needed to do a portrait of someone who would make sense covered in glitter. 

Ke$ha seemed to me to be the obvious choice.


So here she is in all her sparkly glory, in a gold bathtub, drinking a beer with a wolf in sparkly sunglasses. I feel like that is something she would do, right? Plus, wolves feature prominently in the video for her song "Die Young." 


As an in-class exercise we looked at hand lettered fonts and text and logos and album covers that include interesting hand lettering. Typography is something I used to find incredibly boring, but lately I've been really into it! We did some experimenting with text. I was drinking lemon iced tea so I wrote "lemon."

Then I wrote, "Lime" in Spanish to go with it. For being an in class exercise, I'm rather pleased with them.


We put all of our text practice to good use for our final assignment, which was product labels. I have a secret love of hot sauce labels-- they usually involve quite frankly really cool art with skulls and fire and death, devils, scantily clad cartoon chili peppers... I believe hot sauce is the grocery store product with the most interesting variety of labels. I may start a collection of interesting hot sauce labels. I will look like a weirdo taking photos in the grocery store but I don't even care!

I designed a blues dancing inspired hot sauce logo using stills from youtube videos. Some dancer friends and I agreed that a blues dancing hot sauce would have to be flavored with aged peppers, molasses, and a splash of Kentucky bourbon.


My class liked the concept but gave me some ideas for editing the background colors and the text. I agreed with what they had to say and did some alternate text sketches, this time using smoke as an inspiration for the lettering.


... And then put it all together with a new and improved background! I am very pleased with the results! Now if anyone ever follows that recipe and invents this hot sauce, I have your logo!


Monday, June 23, 2014

New York Sketches (plus bonus sketch!)

Last weekend I went to New York to see my family. They throw a pretty sweet annual shindig in the Catskill Mountains and it was so much fun to see everyone and celebrate Father's Day with the extended fam. I spent a good amount of the afternoon sketching my sister by the pool (pictured below riding an inflatable alligator). My younger cousins in the 5 to 10 age range sat and looked over my shoulder while I was drawing, then when I brought out the markers, it naturally became a collaboration. I told them what colors to use and they filled in my sketch, so Anna's portrait became a group effort, and a very successful one if I may say so!


After the party I headed to New York City to spend the night with my good friend Caitlin. We had a great night drinking wine and catching up and then in the morning my plan was to go to the Metropolitan Museum of Art and do some more master copies but the day was too gorgeous to spend inside so I ended up in Central Park, sketching those famous, twisty New York City trees and listening to street performers. It was perfect.


The last sketch is a bonus sketch! It is not from New York, but from a kitchen right here in Massachusetts! The first person who can correctly identify whose kitchen it is based only on the sketch 



Sunday, May 18, 2014

YAF Sketches

 I spent this weekend at a Young Adult Friends Quaker Retreat in Southern Mass. It was a really centering, refreshing experience and the setting was a little meeting house surrounded by trees and low stone walls so very iconic of New England. We were a short drive to the beach and I did some sketching there as well. I also shamelessly stole this picture of me at the beach from my friend Helen's instagram. Tell me if you want me to remove it Hel! And give me 12 slaps on the wrist with a wet noodle!






Monday, April 21, 2014

Master Copies in Marker

I recently went to the MFA and tried an experiment I have been meaning to try: copying famous paintings in marker. It was challenging and interesting and I am definitely going to continue. Turns out half-dry markers are great for copying impressionists! Very painterly.

"Ballet Dancer with Arms Crossed"
Edward Degas

Detail of a mural
John Singer-Sargent


"Lilith"
Kiki Smith


"Still Life with Three Skulls"
Max Beckmann


Detail from "Where do we come from? What are we? Where are we going?"
Paul Gauguin


"A Capriote"
John Singer-Sargent


Saturday, March 22, 2014

Portland Sketches

I went to Portland, Maine last month and did some drawing. I forgot to post any of the sketches until right now. I had a surprise day with nothing planned at all, which basically never happens to me, and I wanted to do something I had never done before so I booked it to South Station and hopped a bus to Maine. Destination: Cryptozoology Museum! I had been meaning to go there for quite some time so when I had the chance, I jumped on it.

The Cryptozoology Museum is this quirky little two room museum full of evidence and artifacts relating to Crypids, or animals that may or may not exist/still exist. Like Bigfoot, and Nessie, and Aliens, and Swamp Monsters. On display there were also things like vintage movie posters and tourist objects and cryptozoology related artwork. Also, for some reason replica Egyptian artifacts? 



I ate at a little cafe that was full of mismatched tables, musical instruments, art, and beautiful dreadlocked people serving you local beer and organic Mexican/Thai fusion food. Portland is like a magic wonderland. For real.


Sunday, February 2, 2014

Tucson Sketches

A couple of weekends ago I visiting my sister Anna in Tucson and I got a little taste of her exciting, busy, circus arts, desert hiking, moped-riding, Mexican food, hula hooping life! These are my sketches from the trip. The first is the outside of a venue where my parents and I watched her perform with her fellow Cirque Roots people!


While I was sitting outside drawing before the show started, lots of people came up to ask me about information for the performance. My customer service/front of house vibes must be very strong.  The tickets were by donation and a few people asked if I was the one taking donations. It was tempting to tell them, why yes, you can give me your money. But in all seriousness, I directed them inside with the professionalism of a Tony Award winning theater's usher (which I am! Cool right?).

Anna got all fancy for her lovely hula-hooping-while-drinking-and-pouring-wine act:


Later in the visit we got to go to a Cirque Roots fire rehearsal. They were fire dancing and hooping and the lighting was so interesting! I made some sketches there too, though it is hard to sketch figures in motion, but I did get some photos in case I ever need a reference. 




Friday, January 24, 2014

Triple Project Update!

Hi all! I have three projects I want to update you on. FIRST PROJECT: Were you wondering what ever happened to Project Fox Bed? Well, I'm still working on it! Here is the progress on the headboard:





I am excited about how far it has come, but I clearly need to finish up those dandelions. I also am going to do the back of the headboard even though it will be up against the wall. I'll know it is there even if I don't see it!

SECOND PROJECT: Marker portrait practice is ongoing:


 

Look! Some of them are even not in profile and they have their eyes open! PROGRESS!

And finally, THE THIRD PROJECT. I am introducing a new project for 2014-- Every year I get a wall calendar and aside from helping me organize my busy life, I think the images set the tone for my year in a way. It is important to me to have a calendar that I like, that makes me smile, or inspires me. Then I save my calendars from past years-- I have calendars dating back to my high school days. I have had Penguins, Japanese Woodblock Prints, Black and White Photographs of Paris, Gundam Wing, Van Gogh, Ferrets Dressed in Silly Ferret Costumes, Bread and Puppet, Inuit Art, and Goats in Trees (who knew-- goats love to climb trees!) 

Anywho, this year I waited until about January 6th to start looking for a calendar and by then they were %50 off at least, but they were also the worst ones that no one else wanted. I could not find the calendar of my dreams to define 2014! I found a $2 calendar at Walgreens that has pictures of beautiful and generic landscape photography and I was like, "ok, fine, this one is not the worst" but then I decided that these landscapes would be perfect surfaces for collages or drawings. Each month I'm going to alter the photo in some way and create a new, interesting art piece! Here is January-- I turned the negative space of this glacier into a disgruntled hippo monster and its grand baby:

I'll keep you posted on the upcoming months!


Friday, January 17, 2014

Marker Portraits

I am still refining my marker portrait skills-- one thing I love about markers is the challenge of being unable to erase. If I make a mistake (and trust me, there is no art making without mistakes) then I just have to find a way to incorporate the mistake into the piece, kind of like improvising when you're playing an instrument. 

My goal for marker portraits as I continue making them is to draw people with their eyes open for once.  I notice I tend to draw people while they are doing things so they are either looking down or away. To draw open eyes, I would need someone to really sit for me and not be doing anything else but looking at me. It is hard to get people to do this. 

Here is my friend Aaron, rocking a bowtie!


And here is my neighbor Hannah, 
though this sketch doesn't actually look very much like her. 
I want to try again.


This is my sister wrapping christmas presents!


These are little cartoons of me and my sister, though I didn't capture her quite right.
This is another one I'd like to try again.


I also did drawings of some cool antiques I saw around my house in Ithaca.
I call this one Shur Shot Plus One Extra Line


And here is a record player with a fancy leaf-shaped vintage lamp on its head:


I'll be doing more marker drawings as I visit Tucson this weekend! 
STAY TUNED!